![]() ![]() ![]() You can change the sizes of your drawing if you want your hand to look slender. Then you draw the rough sketch of the thumb beside the square. You start with a curved square that is enough to cover the front of the fist. If you’d take a look at your own fist, you’ll notice the fingers tucked in and your knuckles are more prominent. So, remember those details as we proceed to more complicated hand poses.ĭrawing the fist is actually easier than drawing an open hand. Speaking of folds, you’ll also notice how the skin folds and creases when you tuck your finger. As shown in the drawing, you’ll understand how it curves better when you picture where the joints fold. Note: Before proceeding any further, let’s first understand what fingers look like when drawn. ![]() You can also try drawing the same hand but from different angles as this can help you with hand study. These hand poses are typically drawn when your character is waving or probably wanting to highlight something on their hand. The lines for the hand go in the knuckles, and some parts of the fingers to identify where the fingers would tuck into the fist. So, after the mitten stage, we go and draw the individual fingers. Here, we go with the same first steps except for the line placement. Next, let’s try drawing the back of the hand. Add details to the hand, like a few lines where the hands ball into a fist and where the fingers curved. Once you feel good about the sketch, you can go ahead and fix up whatever needs fixing. They don’t have to look perfect yet, so just sketch them out and you can fix them later after the sketch is done. After that, you can go ahead and draw the rest of the fingers. We start with the thumb, you can look at your hand for reference or other images you can find. Now, let’s sketch out the individual fingers slowly because we need to make it look like a hand and not sausages. Add a shape for the thumb to complete your mitten. In this one, we’re going to use the mitten method where the sketch looks like a mitten at first, you can also separate the forefinger from the mitten to get a clearer picture of the hand. Then add more shapes that help form the fingers. Sketch a soft-curved square as a base for the palm. I’m as much of a beginner like you-heck, you could probably be better than me so? We can do this step-by-step, as I am definitely not a professional artist. But, sometimes it gets tricky so let’s use different shapes to draw the hand. I usually draw hands without guides, I rely on images as references, or I look at my own hand. This way, we get to see how the fingers work and the overall estimate of the hand. Add yours to the archive now.To start, let’s go and draw a hand in an open palm. In a new juncture for Study of Perspective, we’ve also collaborated with Ai to make his middle finger available to all – inviting any and everyone to share their own perspective on power. Proceeds will support the museum’s future. The 24 hour edition marks the opening of a landmark exhibition of new and archival works by Ai Weiwei at the Design Museum in London – the first in a series of five limited edition artworks conceived in tandem with the show. To him, the power of a simple gesture is that anyone can make it. For almost 20 years Ai has reprised Study of Perspective at sites of power worldwide, prompting a tide of recreations by members of the public. The radial composition – created specially for the edition and printed in two layers – references the raised middle finger which defines Ai’s seminal series, Study of Perspective.īegun in 1995, the series asserts the importance of our collective freedom to form, hold and express individual beliefs. Middle Finger in Red will be available to order for 24 hours only on Thursday 30 March. Collect a silkscreen rendition of Ai Weiwei’s emblematic gesture of defiance. ![]()
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